Framing Advice for Exhibit
I prefer to start with the photograph size (say 20×30) then adjust how much larger the frame is than the photograph using the mount and matt guidelines below. Frame Depth: Make sure the frame is at least one inch deep; front to back. Deeper, up to a few inches, is often better. KEY ACTION: Visit the exhibition the year before and study the frames of work which get selected and win prizes In open exhibitions and art competitions pictures are stacked - one against the other. That means anything on the back of your picture is going to potentially make a .
I have two photographs that I have to get framed for an exhibit. One specifically that I'm concerned about is 16 x 20 in. My instinct is to have it professionally framed, but I wanted feedback about what people think are best practices for framing and display. My idea was a white wood frame and an 8-ply mat and archival glass.
I have in mind frames that I've seen in museums, that have quite a bit of depth, maybe 3 in. I'm how to frame photographs for exhibition sure if this would be prohibitively expensive. I guess though that sometimes I'm put off when I see cheaply framed work. It seems to devalue the work.
But I know that intrinsically there's no correlation between presentation and the actual quality of the work. Generally, for a 16 x 20 in. Is an off-white frame ok? I also would like advice on printing and scanning, but I'll ask in a different post. The frame should match your image somehow, of be an offset to the passepartout the cardboard framing the image.
If an off-white framing matches the global composition, why not. For 16x20, I'd take a frame that has at least " on either side of the image, then at least on top same width as sides and at least in how to frame photographs for exhibition bottom roughly calculating.
A wider border to the bottom makes it more pleasing. Try to get glass which is low in reflection. I've framed what is the worlds largest gulf with regular float glass, and it's a pain depending on whether direct illumination is cast on the image.
Don't forget to stick the foto on foamboard. This give a smooth appearence of the photo. JosvanEekelenAug 12, A difficult choice: Plain glass. Painful reflections, spoils the image, as already stated by Monika Museum glass. Virtually invisible. But the cost! No glass. Your print is exposed to various risks Have you considered borderless mounting on Dibond, no glass? A proper exhibit room should have uniform, neutral colored walls, so less need to isolate the image from the environment. Good luck.
Personally, I've never understood white frames or white matting, despite that white matting is so overwhelmingly predominant. The eye is often attracted to the lightest portion of the object, so why have the matting in competition with the print for the viewer's attention?
I've heard compelling arguments for using black matting to "allow" the viewer's eye to more easily rest on the image, but that approach is in the minority. I once entered three prints mounted in black aluminum frames check out American Frames for a variety of do-it-yourself alternatives and double-matted black mats; the studio owner chided me for using black, saying they would never fly, yet the single judge chose my three prints for special recognition -- i.
In a gallery or competition, I think you have to choose between black or white. For display in a home or what is the meaning of my dear less formal setting, I think you can choose matting and frames that complement the photograph, and that can include a variety of frame styles and colors. Off white goes with just about anything.
I agree with Monika on dimensions. Top and sides must be equal and bottom must be greater -- but just enough to get a visual balance.
A depth of 3 inches may be too much. I hope you are not saying that narrow or simple are necessarily "cheaply framed". It's easy to buy frame kits from a company like American Frame and assemble the frames yourself. You save a lot of cash this way and you understand how they go together and come apart, which allows for easy re-use.
Kits typically come with acrylic because of shipping cost, but you can now get UV-acrylic. Unless you scratch it, it looks great. I generally matt in off-white, but the color of the walls will be far more dominant than the matt.
There are also some interesting options including mounting on board and standing it off the wall with a wood block on the back. More dramatic. And a friend did his prints bare with super magnets, beautiful presentation. SpearheadAug 12, Thank you everyone for your resplies! I am leaning away from the white frame idea, since I couldn't find a frame and mat combination that would seem to work together, as the white of the mat and frame are invariably different.
Maybe that's ok, but I didn't have enough experience. I do remember very beautiful white frames in museums for photographs. But I think now it may be easier to use a black frame. So I guess there's a consensus that the lower part of the mat should be wider. I'll have to revise the framing to take that into account. I had not thought of Dibond, but it looks quite interesting. I'll have to consider whether I should spend that much, or go with a kit frame.
I just got back from John Fielder's Gallery in Denver, where his work and several other photographers' work is exhibited, almost all of which is scenic, with very few prints matted. Most had very simple frames or were mounted on board. Very few had glass. A few had the image floating over a dark background, surrounded by a very simple, but well made frame. You might visit the exhibition space to see what you see, but matting and framing tended to detract from the powerful color images that I was seeing.
Once in a while there was synergy, but was not the norm. Stephen, I agree with you that a black over-matting would often seem aethetically and psycho-visually preferable, at least at long as the material is solid black and doesn't show white or some other color at the border between the matting and the image. But as observed, if you want to please most people, that's disfavored.
As far as frame shops versus kits, on several occasions I've bought frame-and-matting kits from Dick Blick Art Supplies and ordered the prints mounted at the lab. Yours are bigger that what I usually get, and would cost more, but the savings would quite probably be very substantial.
I would probably skip using glass for what girls like in boys body exhibit. The reason is that the glass adds a lot of weight to your exhibit and increases how to frame photographs for exhibition issues all around. As far as the framing and matting look you wish to achieve you just have to decide on that.
It's part of the art of it all. I guess you have to think about who the audience will be. I for one do not like the look of a fat bottom matt.
To me it just looks like somebody measured once and cut twice. The paper provides the border for the photo and I can skip using a mat. Without a mat, the frame needs a spacer black, white or clear, your decision, I use clear plastic FrameSpaceto hold it flat without touching the glass.
An archival foamcore backing also keeps the photo flat. Frames are black wood but kit frames would look fine, too. I've been using the same frames for exhibits for over 10 years, having chosen the square format because my camera has square negatives and I shoot as close to full-negative as possible. With this system, I don't have to mess with mats which I hate doing. This will in no way be inferior to any professional framing vendor. For less than half the cost of how to build a cafe racer step by step professional framing place you can get it all done including the printing.
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Add a mat border
How to Mount Photographs to Mat Board for Framing - Frame. Apr 20, · Mounting photos and framing them well gives the photographer many more display options than simply using basic frames. A well-designed combination of frame, mount, and mat forms part of the visual expression of a displayed photo, separating . Oct 26, · A good rule of thumb for hanging your frame is to position your screws 1/3 of the way down from its top. Use a ruler—never “eyeball” your measurements. Screw in your hangers. Next, cut your framing wire a little longer length than your manuelacosplay.uss: 6.
The frame, too, is a very important aspect of the process of creation. Good framing should enhance your picture, drawing the eye to the image. Unless you are advertising picture frames, framing should be complementary to the picture. With the increased popularity of photography, there is a higher demand for choosing the right frame. Whether you are an artist looking to show your work for an exhibition or a photographer who wants to add a drop of personality to a blank wall, our article will help you choose the ideal frame and showcase your art to its full potential.
Start by taking care of your images. Then, make sure that there is a slight air gap — this is where the mat comes in. Inkjet prints outgas for some time after printing, and deposits might build up on the back of the glass if put behind glass too soon. Choose your glass with care. Anti-reflection or non-glare glass and UV filtering glass may be appropriate for some locations. Also, how are you going to hang the pictures?
If you are choosing a large picture for your home or are planning to exhibit very large prints, make sure the wall you are hanging the picture on can safely take the weight of the framed picture and the fittings needed to hang it.
Frames are always measured from the inside rabbet of the frame. That is the size of a piece of glass that will fit in the frame. Mats are measured at the outside. They are not measured by the size of the cutout hole. When determining what size matte you need, remember that the mat must cover the artwork or photograph.
If you get the chance, buy a cutter bigger than you might first think of — it just makes things easier. Cutters appear on auction sites every so often but do try and see one in use if you are spending much. Prints like this are held in place by the pressure of the overlying mat.
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Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. I like your advice about double-checking the wall your planning to hang your large picture frame on to ensure it could take on the weight. Like this article? Sign up for the monthly newsletter with new articles and the latest gallery updates. Necessary cookies are absolutely essential for the website to function properly.
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It is mandatory to procure user consent prior to running these cookies on your website. Know when and how to use glass Start by taking care of your images. How to measure correctly Frames are always measured from the inside rabbet of the frame.
Join the discussion Cancel reply Your email address will not be published. Levi Armstrong Feb 4, I like your advice about double-checking the wall your planning to hang your large picture frame on to ensure it could take on the weight.
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